Entertainment & Arts
DanceSyndrome set to transform lives internationally
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Members of DanceSydrome, a charity set up in Lancashire in 2009, have been invited to Japan to share their bespoke approach and methodology in how they support people with learning disabilities to be leaders, as part of a pioneering project to promote inclusion in Japanese society.
DanceSyndrome transforms lives, creating change and giving joy, hope and opportunities to people with learning disabilities, and their families. Through the medium of inclusive dance, the organisation empowers those with and without learning disabilities to believe they can achieve their ambitions in life, and that having a disability should never be a barrier to following your dreams.
At DanceSyndrome, people with learning disabilities co-lead inclusive dance sessions and take visible Dance Leader roles to inspire people to see what can be achieved when we all become more inclusive. All sessions are co-produced with professional Dance Artists working side by side with trained and qualified Dance Leaders with a learning disability to co-produce high quality inclusive dance sessions for everyone to enjoy together. The Dance Leaders are all visible members of their communities, who can regularly be seen leading workshops, dance performances and community activities.
In recent years, DanceSyndrome’s work has been recognised on a national level, with multiple partnerships with NHS England, Foundation of Nursing Studies and other national social care providers, as well as securing funding from National Lottery Community Foundation and Arts Council England (and is a 2023-26 National Portfolio Organisation).
The organisation is now celebrating success on an international level after recently winning a Gold Award in the 2024 International Stevie Awards as a non-profit or Government ‘Organization of the Year’ and has now been invited to Tokyo to share learning from their inclusive approach to co-delivery.
In September 2023, DanceSyndrome welcomed an international student, from University of Central Lancashire, called Ayuko Hara to volunteer in their Weekly Company Class sessions in Preston. Ayuko was so inspired by her time with DanceSyndrome that she reported this back to a colleague in Japan called Dai Matsuoka, who programmes the Tokyo Accessible Dance Festival on behalf of an organisation called LAND FES.
Dai reached out to the DanceSyndrome team to ask about the potential for them to share DanceSyndrome’s approach to co-leadership in Tokyo. Funding for this project was secured in Japan from Arts Council Tokyo and four members of the DanceSyndrome team will be travelling to Japan in November 2024 for a 10 day visit which will enable them to share their co-production methodology, supporting Japanese Dance Artists and dancers with learning disabilities to become more inclusive in their delivery of dance activities, with a view to encouraging greater inclusion in the wider society in Japan which currently is not as advanced as in the UK.
Tokyo-based LAND FES has been working on projects that build creative relationships between dancers and people from all walks of life, including people with disabilities, the elderly and young people receiving support for employment. Through international collaboration and interaction, they have learned that in Japan there are not enough examples of different work and creative processes that encourage inclusion in dance.
Co-produced inclusive dance workshops are very hard to find in Japan and there isn’t a system to share learning so that professional dancers can work in an inclusive way, meaning it is even more difficult for people with disabilities to learn to be leaders in dance and other aspects of society. LAND FES is keen to break this cycle by creating new opportunities, increasing accessibility to inclusive dance and deepening the understanding of its value within wider culture.
Dai Matsuoka from LAND FES said “I feel very honoured and thrilled that we have been able to invite DanceSyndrome members to Tokyo this November. As an organization that is committed to develop and promote inclusive dance in Japan, LAND FES will benefit so much from this international collaboration project. I believe that DanceSyndrome’s unique program should be shared more and permeated to empower people with disabilities all over the world.”
Julie Nicholson, DanceSyndrome Managing Director, said “This project embodies everything that DanceSyndrome stands for. We want to change the way that people think about learning disabilities by sharing the ways that we put inclusion and co-production into practice every single day. Our mission is to go out into the world and demonstrate that people with learning disabilities are able to be dancers and leaders or anything else that they want to be, as long as they are given the right support and opportunities to do that. We are so proud to have been invited to travel to Japan to be held up as an example of what good co-production looks like on an international level.”
DanceSyndrome Dance Leader John Burrow will be travelling to Japan with the team. He said “I’m excited to be going to Japan to share the Dance By Example workshops that I co-deliver here in the UK. Through DanceSyndrome I’ve gained social life, I’ve gained friends and a new outlook on my life. I’ve gained a lot of confidence in myself so when there’s moments of self-doubt I’m now able to kind of go “no, I can do this.” I’m looking forward to being able to share that with new people in Japan too!”
The DanceSyndrome representatives will be in Japan from 1st to 10th
November 2024. Photos and videos from the trip will be shared on the charity’s social media channels. You can follow them on X, Facebook, Instagram, Linked In
and YouTube
at @DanceSyndromeUK
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Entertainment & Arts
Ed Sheeran Tour Faces Backlash as Support Acts Quit Over Macklemore’s Removal
Four support acts, including Finneas and Lukas Graham, quit Ed Sheeran’s US tour after promoters dropped Macklemore over a “Free Palestine” remark.
Ed Sheeran’s North American Loop Tour has been thrown into disarray after four supporting acts withdrew in solidarity with Macklemore, who was dropped from the tour’s opening slot over pro-Palestinian comments he made on stage.
The row began at the September 5 show at New Jersey’s MetLife Stadium, where Macklemore exclaimed “Free Palestine!” while introducing his protest song “Hind’s Hall”. He later said that several US venues had told the tour’s promoters they would prohibit him from performing. He had been scheduled to appear at eight of Sheeran’s ten remaining stadium dates.
Sheeran responded on Instagram on Tuesday, distancing himself from the decision. “Macklemore coming off tour was the promoter’s decision; it was not mine,” he wrote, adding that he had allowed the rapper to perform a set list of his choosing, as with all his support acts, and that he would not abandon fans, crew or the other musicians who rely on the tour for work.
Within hours, Irish singer Aaron Rowe, Irish band Beoga, Danish band Lukas Graham and Finneas all announced on Instagram that they were withdrawing. Rowe and Lukas Graham had been lined up as Macklemore’s replacements for the remaining US dates; Beoga had been performing several songs with Sheeran mid-set; and Finneas, Billie Eilish’s brother and collaborator, was due to join the South American leg later this year.
The departures leave Sheeran’s team with significant logistical gaps ahead of the tour’s resumption in Philadelphia, and have widened a debate about the limits on political expression on stage and the role promoters and venues play in deciding who performs.
It remains unclear whether new support acts will be recruited for the remaining dates.
Sources: AP via InDaily; 1News; TNND.
Entertainment & Arts
Thomas Hardy Collection Gains Prestigious Arts Council Recognition
Thomas Hardy’s collection in Dorset receives national recognition from Arts Council England, underscoring its cultural significance.
Dorset Museum and Art Gallery’s Thomas Hardy Memorial Collection – the world’s largest collection dedicated to the writer and poet, including manuscripts, notebooks, correspondence, artworks and even Hardy’s study – has been awarded Designated status by Arts Council England. It is one of a record nine collections added to the Designation Scheme at the panel’s latest meeting, announced in September 2026; only two collections achieved the status in 2025. The designation marks a pivotal moment for the collection, emphasizing its national significance and the enduring legacy of Hardy’s literary contributions.
Arts Council England’s designation is not merely an honorific; it is a testament to the collection’s outstanding value to the nation. Such recognition is part of a larger initiative aimed at highlighting and preserving culturally and historically important collections across the UK. The Council’s selection criteria are rigorous, ensuring that only collections of the highest merit receive acknowledgment. This involves assessing the collection’s relevance, historical significance, and its potential to engage the public and scholars alike.
Dorset Museum plays a crucial role in maintaining and showcasing this collection, with much of the Hardy archive held on deposit at the Dorset History Centre in Dorchester, where it is free to view by appointment. The museum’s efforts to preserve Hardy’s manuscripts, letters, and personal artifacts have been instrumental in achieving this designation. This recognition places the museum among esteemed institutions that have been entrusted with the care of the nation’s cultural treasures. Not only does it elevate the museum’s profile, but it also attracts scholars, literary enthusiasts, and tourists, further solidifying its status as a center for cultural heritage.
The Arts Council’s decision to highlight the Hardy collection is part of a broader movement to recognize and support collections that contribute to the UK’s cultural tapestry. The initiative seeks to bring attention to collections that might otherwise remain underappreciated, ensuring their preservation for future generations. This aligns with the Council’s commitment to fostering a deeper appreciation for cultural and historical assets, thereby enriching the nation’s collective memory.
The inclusion of the Hardy collection in this prestigious group of recognized archives is reflective of Hardy’s enduring influence on literature and culture. His works, which vividly capture the essence of rural England and the complexities of human experience, continue to resonate with audiences today. The collection offers a unique insight into Hardy’s life and inspiration, making it a vital resource for understanding the context and impact of his writings.
The recognition by Arts Council England not only celebrates Hardy’s legacy but also underscores the importance of preserving such collections for educational and cultural enrichment. It highlights the need for ongoing support and investment in the arts, ensuring that future generations have access to these invaluable resources. The designation serves as a call to action for stakeholders, including educational institutions, government bodies, and private benefactors, to contribute to the preservation and promotion of cultural heritage.
As the Dorset museum prepares to celebrate this achievement, it anticipates an increase in visitor numbers and interest in its exhibits. The recognition provides a platform to expand its educational programs and outreach initiatives, fostering a greater understanding and appreciation of Hardy’s work. This is a significant opportunity for the museum to further cement its role as a custodian of cultural heritage and a beacon for literary scholarship.
Looking ahead, the designation by Arts Council England is expected to open new avenues for collaboration and funding, enabling the Dorset museum to enhance its offerings and reach a wider audience. This recognition not only elevates the status of the Hardy collection but also reinforces the importance of preserving and promoting the nation’s cultural artifacts. As the museum embarks on this new chapter, it stands as a testament to the enduring legacy of Thomas Hardy and the power of literature to transcend time and space.
Entertainment & Arts
‘Practical Magic 2’ Enchants Box Office with Strong Debut
‘Practical Magic 2’ opens at No. 1 with an estimated $30M in North America and about $46M worldwide.
On the weekend of September 11–13, 2026, Warner Bros.’ ‘Practical Magic 2’, reuniting Sandra Bullock and Nicole Kidman as sisters Sally and Gillian Owens, opened at No. 1 at the North American box office with an estimated $30 million from 4,146 theatres, ending the six-weekend run of ‘Spider-Man: Brand New Day’ at the top. The sequel to the 1998 film added about $16 million from 77 international markets, for a worldwide opening of roughly $46 million, according to Associated Press estimates. Audiences were warmer than critics: the film drew a 92% Rotten Tomatoes audience score against a 39% critics’ score. The film’s enchanting performance at the box office is a testament to its widespread appeal and the enduring charm of the original film.
The success of ‘Practical Magic 2′ can be attributed to a combination of factors. Nostalgia played a significant role in drawing audiences to theaters, as fans of the original film eagerly anticipated the continuation of the Owens sisters’ magical journey. The sequel’s marketing campaign capitalized on this sentiment, highlighting beloved elements from the first film while promising fresh twists and new spells. This approach successfully attracted both returning fans and new viewers, expanding the film’s audience.
For fans, ‘Practical Magic 2’ aims to strike a balance between honoring its predecessor and introducing new storylines, though critics were less convinced. This balance is crucial for sequels, as it allows them to resonate with existing fans while still being accessible to newcomers. The film’s blend of romance, fantasy, and drama, set against a backdrop of witchcraft and family dynamics, offers something for everyone. It is a magical formula that has evidently worked at the box office.
The cast of ‘Practical Magic 2’ also contributed to its success. The return of Sandra Bullock and Nicole Kidman in their original roles brought an added layer of excitement to the film for fans of the first instalment. This continuity provided a sense of familiarity and comfort for fans, enhancing the film’s appeal.
Moreover, the film’s visual effects are central to its appeal, bringing its magical elements to life. These effects are not just eye candy; they are seamlessly integrated into the narrative, reinforcing the film’s themes and emotional beats.
The timing of ‘Practical Magic 2’s release also played a role in its box office triumph. With its release falling just before the Halloween season, the film tapped into a natural increase in audience interest in supernatural and fantasy themes. This strategic timing likely contributed to its strong opening weekend performance, as viewers sought out entertainment that aligned with the seasonal mood.
As the film continues its theatrical run, its performance will be closely watched by industry analysts. The strong opening numbers suggest a promising future, with potential to maintain its momentum through word of mouth and repeat viewings. The film’s reception highlights the enduring appeal of stories that blend magic with relatable human experiences, tapping into universal themes of love, family, and self-discovery.
Looking ahead, ‘Practical Magic 2’ sets a high bar for future sequels and adaptations within the genre. Its success demonstrates the commercial viability of films that strike a balance between nostalgia and innovation. For studios, this serves as a reminder of the importance of understanding and leveraging audience sentiment in crafting compelling narratives. As the film continues to enchant viewers worldwide, it stands as a testament to the power of well-told stories and the magic of cinema.
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