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Alesha Dixon, Bella Ramsey, Deborah Meaden & Joanna Lumley, call out TUI Group on dolphin cruelty

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Embargoed 22 August 2024 00:01 TUI Group is being urged to end the sale and promotion of tours and activities where captive dolphins are used for entertainment in an open letter signed by celebrities including Alesha Dixon, Bella Ramsey, Deborah Meaden, Evanna Lynch, Gail Porter, Joanna Lumley, Jane Fallon, Mark Watson, Sarah Jane Morris, Richa Moorjani and Rou Reynolds, on behalf of World Animal Protection.

Dolphins are highly intelligent, powerful marine predators that, in their natural environment, swim and hunt across vast swathes of the oceans. Bottlenose dolphins can swim 100km in a day, and some species cover much more.  But confined to tiny, barren, concrete tanks thousands of times smaller than their natural space, exposed to infection and chemicals and often drugged to cope with captivity – they sadly can only swim a few metres at a time in any direction. The anxiety and stress can cause them to self-mutilate and become aggressive – all in the name of entertainment and profit. 

There are over 3000 dolphins held captive across the globe, TUI Group are profiting from the suffering of at least 400 of them at around 25 entertainment venues where they are deprived of almost all their natural behaviours.

Alesha Dixon, singer, author & TV personality, “TUI you are the last major tour operator in the UK selling tickets to dolphin entertainment. Dolphins are not entertainers they are sentient wild animals. Enough is enough. Join the other tour operators and stop profiting from this cruelty.”

Deborah Meaden, businessperson and TV personality, “I really can’t believe in this day and age we still have to point out the cruelty. Do the right thing TUI and do as your competitors have done and stop selling tickets to these cruel and exploitative attractions.”

Evanna Lynch, Actor and World Animal Protection Global Ambassador, “It is truly shameful that TUI is still choosing to take part in such an obviously cruel and outdated practice as captive dolphin ‘entertainment’. TUI it’s time to do the right thing and stop putting profit over animal welfare.”

Richa Moorjani, Actor and World Animal Protection Global Ambassador, “It’s deeply disappointing to see TUI still promoting dolphin performances. These intelligent creatures deserve to live in their natural habitats, not confined for human amusement. It’s time to end this cruelty and make compassionate choices.”

TUI Group are urged to join the ever-increasing movement of travel companies, governments and tourists who are saying no to cruel captive dolphin entertainment, but the travel giant continues to put profit over animal welfare.   

  • In March 2024 easyJet holidays announced that they would not sell tickets to any captive wildlife attractions including captive cetacean venues 
  • A few days later, Jet2holidays announced that they would stop selling captive dolphin venues 
  • Virgin Holidays, Expedia Group, Booking.com and Airbnb have all long since committed to never selling tickets for these cruel and exploitative attractions 
  • Canada and France, Brussels and New South Wales have all banned the keeping of whales and dolphins in captivity 
  • Dutch travel association ANVR and South Africa’s SATSA state that captive cetacean entertainment is unacceptable in their guidelines for their member organisations  
  • Strict regulations in the UK mean there have been no cetaceans in captivity for over 30 years 

Tricia Croasdell, World Animal Protection, CEO said, “The longer that influential companies like TUI Group continue promoting and selling tickets to captive dolphin entertainment, the worse the problem becomes. Selling tickets to such venues means more whales and dolphins are being bred into environments where they will never be able to thrive or carry out their natural behaviours. TUI has said that they know it is controversial and that more of their customers would rather see wild animals in the wild, so why are they stalling on this? The only reason can be profit and it is inexcusable for a multi-million-pound company to put profit before compassion.

“We need to make this the last generation of dolphins in captivity, and we need companies like TUI Group to stop propping up the industry before that can happen.”

Join the movement to call on TUI Group to end the sale and promotion of venues that use dolphins for entertainment, so that we can ensure this is the last generation of dolphins in captivity.   

-Ends-

Notes to Editor

  • To read the full letter please click here
  • Earlier this month World Animal Protection were joined by 14 other animal welfare organisations in a protest outside TUI Group’s Berlin HQ presenting a combined petition of 350,000 signatures from the general public who see the huge role TUI Group plays in perpetuating this cruel and outdated form of entertainment – which means a lifetime of these intelligent wild animals confined to tiny barren tanks performing circus tricks for food.

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Ed Sheeran Tour Faces Backlash as Support Acts Quit Over Macklemore’s Removal

Four support acts, including Finneas and Lukas Graham, quit Ed Sheeran’s US tour after promoters dropped Macklemore over a “Free Palestine” remark.

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Ed Sheeran’s North American Loop Tour has been thrown into disarray after four supporting acts withdrew in solidarity with Macklemore, who was dropped from the tour’s opening slot over pro-Palestinian comments he made on stage.

The row began at the September 5 show at New Jersey’s MetLife Stadium, where Macklemore exclaimed “Free Palestine!” while introducing his protest song “Hind’s Hall”. He later said that several US venues had told the tour’s promoters they would prohibit him from performing. He had been scheduled to appear at eight of Sheeran’s ten remaining stadium dates.

Sheeran responded on Instagram on Tuesday, distancing himself from the decision. “Macklemore coming off tour was the promoter’s decision; it was not mine,” he wrote, adding that he had allowed the rapper to perform a set list of his choosing, as with all his support acts, and that he would not abandon fans, crew or the other musicians who rely on the tour for work.

Within hours, Irish singer Aaron Rowe, Irish band Beoga, Danish band Lukas Graham and Finneas all announced on Instagram that they were withdrawing. Rowe and Lukas Graham had been lined up as Macklemore’s replacements for the remaining US dates; Beoga had been performing several songs with Sheeran mid-set; and Finneas, Billie Eilish’s brother and collaborator, was due to join the South American leg later this year.

The departures leave Sheeran’s team with significant logistical gaps ahead of the tour’s resumption in Philadelphia, and have widened a debate about the limits on political expression on stage and the role promoters and venues play in deciding who performs.

It remains unclear whether new support acts will be recruited for the remaining dates.

Sources: AP via InDaily; 1News; TNND.

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Thomas Hardy Collection Gains Prestigious Arts Council Recognition

Thomas Hardy’s collection in Dorset receives national recognition from Arts Council England, underscoring its cultural significance.

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Dorset Museum and Art Gallery’s Thomas Hardy Memorial Collection – the world’s largest collection dedicated to the writer and poet, including manuscripts, notebooks, correspondence, artworks and even Hardy’s study – has been awarded Designated status by Arts Council England. It is one of a record nine collections added to the Designation Scheme at the panel’s latest meeting, announced in September 2026; only two collections achieved the status in 2025. The designation marks a pivotal moment for the collection, emphasizing its national significance and the enduring legacy of Hardy’s literary contributions.

Arts Council England’s designation is not merely an honorific; it is a testament to the collection’s outstanding value to the nation. Such recognition is part of a larger initiative aimed at highlighting and preserving culturally and historically important collections across the UK. The Council’s selection criteria are rigorous, ensuring that only collections of the highest merit receive acknowledgment. This involves assessing the collection’s relevance, historical significance, and its potential to engage the public and scholars alike.

Dorset Museum plays a crucial role in maintaining and showcasing this collection, with much of the Hardy archive held on deposit at the Dorset History Centre in Dorchester, where it is free to view by appointment. The museum’s efforts to preserve Hardy’s manuscripts, letters, and personal artifacts have been instrumental in achieving this designation. This recognition places the museum among esteemed institutions that have been entrusted with the care of the nation’s cultural treasures. Not only does it elevate the museum’s profile, but it also attracts scholars, literary enthusiasts, and tourists, further solidifying its status as a center for cultural heritage.

The Arts Council’s decision to highlight the Hardy collection is part of a broader movement to recognize and support collections that contribute to the UK’s cultural tapestry. The initiative seeks to bring attention to collections that might otherwise remain underappreciated, ensuring their preservation for future generations. This aligns with the Council’s commitment to fostering a deeper appreciation for cultural and historical assets, thereby enriching the nation’s collective memory.

The inclusion of the Hardy collection in this prestigious group of recognized archives is reflective of Hardy’s enduring influence on literature and culture. His works, which vividly capture the essence of rural England and the complexities of human experience, continue to resonate with audiences today. The collection offers a unique insight into Hardy’s life and inspiration, making it a vital resource for understanding the context and impact of his writings.

The recognition by Arts Council England not only celebrates Hardy’s legacy but also underscores the importance of preserving such collections for educational and cultural enrichment. It highlights the need for ongoing support and investment in the arts, ensuring that future generations have access to these invaluable resources. The designation serves as a call to action for stakeholders, including educational institutions, government bodies, and private benefactors, to contribute to the preservation and promotion of cultural heritage.

As the Dorset museum prepares to celebrate this achievement, it anticipates an increase in visitor numbers and interest in its exhibits. The recognition provides a platform to expand its educational programs and outreach initiatives, fostering a greater understanding and appreciation of Hardy’s work. This is a significant opportunity for the museum to further cement its role as a custodian of cultural heritage and a beacon for literary scholarship.

Looking ahead, the designation by Arts Council England is expected to open new avenues for collaboration and funding, enabling the Dorset museum to enhance its offerings and reach a wider audience. This recognition not only elevates the status of the Hardy collection but also reinforces the importance of preserving and promoting the nation’s cultural artifacts. As the museum embarks on this new chapter, it stands as a testament to the enduring legacy of Thomas Hardy and the power of literature to transcend time and space.

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‘Practical Magic 2’ Enchants Box Office with Strong Debut

‘Practical Magic 2’ opens at No. 1 with an estimated $30M in North America and about $46M worldwide.

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On the weekend of September 11–13, 2026, Warner Bros.’ ‘Practical Magic 2’, reuniting Sandra Bullock and Nicole Kidman as sisters Sally and Gillian Owens, opened at No. 1 at the North American box office with an estimated $30 million from 4,146 theatres, ending the six-weekend run of ‘Spider-Man: Brand New Day’ at the top. The sequel to the 1998 film added about $16 million from 77 international markets, for a worldwide opening of roughly $46 million, according to Associated Press estimates. Audiences were warmer than critics: the film drew a 92% Rotten Tomatoes audience score against a 39% critics’ score. The film’s enchanting performance at the box office is a testament to its widespread appeal and the enduring charm of the original film.

The success of ‘Practical Magic 2′ can be attributed to a combination of factors. Nostalgia played a significant role in drawing audiences to theaters, as fans of the original film eagerly anticipated the continuation of the Owens sisters’ magical journey. The sequel’s marketing campaign capitalized on this sentiment, highlighting beloved elements from the first film while promising fresh twists and new spells. This approach successfully attracted both returning fans and new viewers, expanding the film’s audience.

For fans, ‘Practical Magic 2’ aims to strike a balance between honoring its predecessor and introducing new storylines, though critics were less convinced. This balance is crucial for sequels, as it allows them to resonate with existing fans while still being accessible to newcomers. The film’s blend of romance, fantasy, and drama, set against a backdrop of witchcraft and family dynamics, offers something for everyone. It is a magical formula that has evidently worked at the box office.

The cast of ‘Practical Magic 2’ also contributed to its success. The return of Sandra Bullock and Nicole Kidman in their original roles brought an added layer of excitement to the film for fans of the first instalment. This continuity provided a sense of familiarity and comfort for fans, enhancing the film’s appeal.

Moreover, the film’s visual effects are central to its appeal, bringing its magical elements to life. These effects are not just eye candy; they are seamlessly integrated into the narrative, reinforcing the film’s themes and emotional beats.

The timing of ‘Practical Magic 2’s release also played a role in its box office triumph. With its release falling just before the Halloween season, the film tapped into a natural increase in audience interest in supernatural and fantasy themes. This strategic timing likely contributed to its strong opening weekend performance, as viewers sought out entertainment that aligned with the seasonal mood.

As the film continues its theatrical run, its performance will be closely watched by industry analysts. The strong opening numbers suggest a promising future, with potential to maintain its momentum through word of mouth and repeat viewings. The film’s reception highlights the enduring appeal of stories that blend magic with relatable human experiences, tapping into universal themes of love, family, and self-discovery.

Looking ahead, ‘Practical Magic 2’ sets a high bar for future sequels and adaptations within the genre. Its success demonstrates the commercial viability of films that strike a balance between nostalgia and innovation. For studios, this serves as a reminder of the importance of understanding and leveraging audience sentiment in crafting compelling narratives. As the film continues to enchant viewers worldwide, it stands as a testament to the power of well-told stories and the magic of cinema.

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